Diane Arbus – Magazine Work (1984). This book is a collection of Arbus’s photography shot for magazines.
This book was published in 2008 to accompany the first retrospective exhibition of Miyako Ishiuchi in Europe. The book is designed as a leporello ‘folding out’ book of 70 pages.
Die Welt der Pflanze – Photographien von Albert Renger-Patzsch und aus dem Auriga-Verlag (Hatje Cantz, 1998)
Renger-Patzsch began his career as a photographer in the photographic department of the Folkwang Verlag (known as Auriga after 1924), which was led by Ernst Fuhrmann, Renger-Patzsch’s spiritual mentor. The main focus of his work after 1921 was plant photography: uncontrived, revealingly precise representations of plant forms.
Anders Petersen retrospective photobook featuring images spanning 30 years from 1971-2001. Produced to accompany his exhibition of the same name at Nederlands Fotomuseum and FotoMuseum Winterthur in 2003.
William S. Burroughs (1914-1997) was an influential American novelist, essayist and artist, and a cult icon. Coinciding with the centenary of Burroughs’ birth, Taking shots was the first major exhibition worldwide to focus on his large photographic oeuvre.
Artist, poet and photographer Gerard P. Fieret (1924, The Hague) photographed everything around him; himself, girls, children, animals and street scenes. Above all he photographed women during casual encounters.
Eigentlich wollte ich ja Architektin werden. Gertrud Arndt als Weberin und Photographin am Bauhaus 1923-31. ( Bauhaus-Archiv, 2013)
The Bauhaus-Archiv Berlin devoted a special exhibition to Gertrud Arndt in January 2013, linking her textile art and photography with each other for the first time.
Following in the legacy of Robert Frank (whom Gibson once assisted) and William Klein, Gibson helped push contemporary photography beyond photography’s traditional bounds of factual documentation.
This catalogue has been published to accompany the exhibition „Anna & Bernhard Blume: de-constructiv. Images from real life“, Museum am Ostwall, Dortmund, Haus Konstruktiv, Zürich, 2006/2007.
In 1968 Hungarian photographer Lörinczy György travelled to New York, returning home with blurry, high-contrast, occasionally solarized images. A book was published by Magyar Helikon, Budapest in 1972. It was re-published in 2004 by Nederlands Fotomuseum Rotterdam.
The American photographer Leonard Freed travelled to Germany for the first time in 1954. He observed the people in their social surroundings, at work, at street festivals, in public parks, in the streets and against the industrial backdrop of the Ruhr Valley.
This entry in Errata Editions’ Books on Books series reproduces every spread from Wessing’s gritty documentation of Chile’s darkest historical moment; art historian and film theorist Pauline Terreehorst contributes a contemporary essay titled “The Man in the Grey Suit: Koen Wessing: Chili 1973.”
In 2010 the photographer Arne Schmitt traveled with his camera through the western states of Germany and documented the places that were destroyed by bombs during the war and replaced after 1945.
Jacob Holdt spent five years hitchhiking through America in the early 1970s. His journey results in his legendary book American Pictures (1977).
HOLD STILL—keep going explores the role of film in Robert Frank’s work, and the interaction between the still and moving image that has engaged him since the late 1950s.
Herlinde Koelbl (* 31. Oktober 1939) ist eine deutsche Fotografin und Dokumentarfilmerin. Das deutsche Wohnzimmer (The German Living Room) war 1980 ihr erster großer Erfolg in der breiten Öffentlichkeit.
Elfriede Stegemeyer – Pseudonym elde steeg – (1908–1988) war eine deutsche Photographin, Malerin und Filmkünstlerin.