Gathering more than 100 portraits of women by Walter Pfeiffer, most of them being published for the first time, this books shows a new facette to Walter Pfeiffer’s rich oeuvre.
This exhibition catalogue, published to accompany the Solomon R. Guggenheim Museum’s major mid-career survey of Catherine Opie’s work in 2008, gathers all of the artist’s key projects to date in a single volume.
This book is a collection of photographs by dutch photographer Hans van der Meer that showcases the everyday landscapes of lower league football in Europe.
This is the first book on the famous Russian photographer Boris Mikhailov’s fascinating early body of work entitled the Superimposition series. In this series from the late 60s to early 70s, he has overlayed two colour slides, creating fascinating “sandwiches”, i.e beautifully composed tableaux of glamorous naked women, surreal urban landscapes and strange scenes of everyday Soviet life.
This series of photographs by the Czech artist Jitka Hanzlová (1958)is a compilation of approximately 50 portraits of women of various ages. The series was created between 1997 and 2000 and shows a multifaceted portrait of contemporary female identity.
Between November 2009 and January 2011, Slovakian photographer Martin Kollar spent extended periods of time working and living in Israel, building a photographic dossier on one of the most contentious geographical zones of modern history.
Immune features a remarkable blend of new photos including previously unreleased footage from the prize-winning video clips she has created for music acts including Christina Aguilera, the Cure, Incubus, Björk, Leonard Cohen and the Living Things.
Las Vegas Studio: Images from the Archive of Robert Venturi and Denise Scott Brown (Scheidegger & Spiess, 2008)
Since it was first published in 1972, Learning from Las Vegas has become a classic in the theory of architecture and one of the most influential architecture texts of the twentieth century. Las Vegas Studio is the first book to present these photographs in large, full-color reproductions.
Blog post on Manuel Álvarez Bravo: Polaroids (Editorial RM, 2005).
Die vorliegende Publikation stellt Sekulas Arbeiten “Dear Bill Gates” (1999), “TITANIC’s wake” (1998 – 2000) und “Waiting for Tear Gas” (1999/2000) in den Zusammenhang dieses “kritischen Dokumentarismus”, dessen Hintergrund in der für ihn typischen Verbindung von Fotografie und Essay, Konzeptkunst und kritischem Journalismus besteht.
Published on the occasion of the landmark retrospective exhibition of the same name held at the Museum Folkwang Essen in 2001.
American documentary photographer and Magnum member, Susan Meiselas, captures the Nicaraguan revolution of the 1970s for her book Nicaragua.
Mike Brodie spent years crisscrossing the U.S. documenting his experiences, now appreciated as one of the most impressive archives of American travel photography.
The Democratic Forest provides a sequence of images which form an almost autobiographic narrative, beginning with pictures of Eggleston’s home territory in the Mississippi Delta.