Claudia Andujar, born in Neuchâtel, Switzerland in 1931, dedicated her life to photograph the Yanomami, an Amazonian community with little contact with the outside world. This publication was published in conjunction with the same-named exhibition at the MMK Museum für Moderne Kunst Frankfurt/Main (18.2. – 25.6.2017).
Peter Granser, who lives in Stuttgart, Germany, commutes to the U.S. for work: his two previous books of photographs, Sun City (2003) and Alzheimers (2005) observe aging and illness among preternaturally prosperous and tan American retirees. Coney Island brings his gaze to an outpost of retro beach culture and economic decay that may be better known in Europe than at home.
With a special focus on the film works, for the first time ever the oeuvre of the photographer Sarah Moon was presented as a retrospective in the House of Photography at the Deichtorhallen in Hamburg.The exhibition was accompanied by this catalog published by Kehrer Verlag, edited by Ingo Taubhorn and Brigitte Woischnik
This book accompanying an exibition at The National Portrait Gallery (http://www.npg.org.uk/whatson/wearing-cahun/home/) brings together for the first time the work of French artist Claude Cahun and British contemporary artist Gillian Wearing. Although they were born almost seventy years apart and came from different backgrounds, remarkable parallels can be drawn between the two artists. Both of them share a fascination with the self-portrait and use the self-image, through the medium of photography, to explore themes around identity and gender, which is often played out through masquerade and performance.
Gathering more than 100 portraits of women by Walter Pfeiffer, most of them being published for the first time, this books shows a new facette to Walter Pfeiffer’s rich oeuvre.
This exhibition catalogue, published to accompany the Solomon R. Guggenheim Museum’s major mid-career survey of Catherine Opie’s work in 2008, gathers all of the artist’s key projects to date in a single volume.
This book is a collection of photographs by dutch photographer Hans van der Meer that showcases the everyday landscapes of lower league football in Europe.
This is the first book on the famous Russian photographer Boris Mikhailov’s fascinating early body of work entitled the Superimposition series. In this series from the late 60s to early 70s, he has overlayed two colour slides, creating fascinating “sandwiches”, i.e beautifully composed tableaux of glamorous naked women, surreal urban landscapes and strange scenes of everyday Soviet life.
This series of photographs by the Czech artist Jitka Hanzlová (1958)is a compilation of approximately 50 portraits of women of various ages. The series was created between 1997 and 2000 and shows a multifaceted portrait of contemporary female identity.
Between November 2009 and January 2011, Slovakian photographer Martin Kollar spent extended periods of time working and living in Israel, building a photographic dossier on one of the most contentious geographical zones of modern history.
Shomei Tomatsu, who died aged 82 in 2012, was perhaps the most influential Japanese photographer of the postwar era. With texts by Leo Rubinfien, Sandra S. Phillips and John W. Dower.
Immune features a remarkable blend of new photos including previously unreleased footage from the prize-winning video clips she has created for music acts including Christina Aguilera, the Cure, Incubus, Björk, Leonard Cohen and the Living Things.
Las Vegas Studio: Images from the Archive of Robert Venturi and Denise Scott Brown (Scheidegger & Spiess, 2008)
Since it was first published in 1972, Learning from Las Vegas has become a classic in the theory of architecture and one of the most influential architecture texts of the twentieth century. Las Vegas Studio is the first book to present these photographs in large, full-color reproductions.
Blog post on Manuel Álvarez Bravo: Polaroids (Editorial RM, 2005).
Total Records comprises around 500 album covers that chronicle the multifaceted interplay between photography and music from the 1960s to the 2000s.
Die vorliegende Publikation stellt Sekulas Arbeiten “Dear Bill Gates” (1999), “TITANIC’s wake” (1998 – 2000) und “Waiting for Tear Gas” (1999/2000) in den Zusammenhang dieses “kritischen Dokumentarismus”, dessen Hintergrund in der für ihn typischen Verbindung von Fotografie und Essay, Konzeptkunst und kritischem Journalismus besteht.
Wouter Deruytter: Brussel…? (Double You Dee, 1990); Edition of 1000 copies; Introduction / poem by Maurice Béjart in French, English and Dutch.