William S. Burroughs (1914-1997) was an influential American novelist, essayist and artist, and a cult icon. Coinciding with the centenary of Burroughs’ birth, Taking shots was the first major exhibition worldwide to focus on his large photographic oeuvre.
Artist, poet and photographer Gerard P. Fieret (1924, The Hague) photographed everything around him; himself, girls, children, animals and street scenes. Above all he photographed women during casual encounters.
Shomei Tomatsu, who died aged 82 in 2012, was perhaps the most influential Japanese photographer of the postwar era. With texts by Leo Rubinfien, Sandra S. Phillips and John W. Dower.
Eigentlich wollte ich ja Architektin werden. Gertrud Arndt als Weberin und Photographin am Bauhaus 1923-31. ( Bauhaus-Archiv, 2013)
The Bauhaus-Archiv Berlin devoted a special exhibition to Gertrud Arndt in January 2013, linking her textile art and photography with each other for the first time.
Following in the legacy of Robert Frank (whom Gibson once assisted) and William Klein, Gibson helped push contemporary photography beyond photography’s traditional bounds of factual documentation.
Immune features a remarkable blend of new photos including previously unreleased footage from the prize-winning video clips she has created for music acts including Christina Aguilera, the Cure, Incubus, Björk, Leonard Cohen and the Living Things.
This catalogue has been published to accompany the exhibition „Anna & Bernhard Blume: de-constructiv. Images from real life“, Museum am Ostwall, Dortmund, Haus Konstruktiv, Zürich, 2006/2007.
Las Vegas Studio: Images from the Archive of Robert Venturi and Denise Scott Brown (Scheidegger & Spiess, 2008)
Since it was first published in 1972, Learning from Las Vegas has become a classic in the theory of architecture and one of the most influential architecture texts of the twentieth century. Las Vegas Studio is the first book to present these photographs in large, full-color reproductions.
In 1968 Hungarian photographer Lörinczy György travelled to New York, returning home with blurry, high-contrast, occasionally solarized images. A book was published by Magyar Helikon, Budapest in 1972. It was re-published in 2004 by Nederlands Fotomuseum Rotterdam.
The American photographer Leonard Freed travelled to Germany for the first time in 1954. He observed the people in their social surroundings, at work, at street festivals, in public parks, in the streets and against the industrial backdrop of the Ruhr Valley.
This entry in Errata Editions’ Books on Books series reproduces every spread from Wessing’s gritty documentation of Chile’s darkest historical moment; art historian and film theorist Pauline Terreehorst contributes a contemporary essay titled “The Man in the Grey Suit: Koen Wessing: Chili 1973.”
Blog post on Manuel Álvarez Bravo: Polaroids (Editorial RM, 2005).
In 2010 the photographer Arne Schmitt traveled with his camera through the western states of Germany and documented the places that were destroyed by bombs during the war and replaced after 1945.
Total Records comprises around 500 album covers that chronicle the multifaceted interplay between photography and music from the 1960s to the 2000s.
Jacob Holdt spent five years hitchhiking through America in the early 1970s. His journey results in his legendary book American Pictures (1977).
Die vorliegende Publikation stellt Sekulas Arbeiten “Dear Bill Gates” (1999), “TITANIC’s wake” (1998 – 2000) und “Waiting for Tear Gas” (1999/2000) in den Zusammenhang dieses “kritischen Dokumentarismus”, dessen Hintergrund in der für ihn typischen Verbindung von Fotografie und Essay, Konzeptkunst und kritischem Journalismus besteht.
Wouter Deruytter: Brussel…? (Double You Dee, 1990); Edition of 1000 copies; Introduction / poem by Maurice Béjart in French, English and Dutch.
HOLD STILL—keep going explores the role of film in Robert Frank’s work, and the interaction between the still and moving image that has engaged him since the late 1950s.